Mexican feature film

Vas o No Vas is the American Spanish-language version of Deal or No Deal, which debuted on Telemundo from October 8, 2006 to May 26, 2007 and it was produced by Endemol and NBC. The program was hosted by Héctor Sandarti, who hosted the Mexican version of the same name for Televisa. The show was taped at Televisa's Santa Fe studios in Mexico City, Mexico, where Endemol Mexico is based, in the same studio where the Mexican edition was taped. Originally airing Saturday nights at 7 PM ET/PT in a 90-minute format, the show moved to Saturday afternoons at 1PM ET / PT, edited to 60 minutes in length. The show was permanently axed when the 2007 May sweeps period was almost completed.

Patricio and Erica, a couple in their fifties who dreamed of enjoying their life as a couple, face an unexpected problem: Natalia, their almost 32-year-old daughter, refuses to leave home and has no plans to become independent. Desperate, her parents resort to increasingly crazy ideas to throw her out of the house, from gifts with hints to advice from artificial intelligence. But what begins as a simple plan turns into a whirlwind of misunderstandings and family chaos. With a lot of humor and delirious situations, When are you leaving? shows us that, sometimes, the most difficult thing is not raising children... it is getting them to leave!

Short film in homage to José Luis Rebordinos and Olaciregui Lucia, who had left the direction of the Fantasy Film Horror of San Sebastian, after 21 years in charge

The complicated life of a wannabe actress who meets an older writer in the midst of a crisis.

Three generations of Mexican-American women embark on a journey that sparks healing, humour, and unexpected romance.

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Local celebrity show where musical acts, major celebrities, sketch comedies, and lovely voluptuous models are featured every week. Airs in Puerto Rico and transmitted via the Univision Network in the USA, Venezuela, and throughout the Caribbean.

A commentary about the state of journalism on the backdrop of environmental exploitation of the ecologically sensitive Tadoba Tiger Reserve, the film explores the consequences of modern profiteering-driven news on the world, and on personal relationships.

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